Hi, I´m currently "glancing" through your Cubase Ultimate Beginners Tutorial. Also Cubase comes with many 'chain' presets so if you load a chain preset for drums for example you would get EQ, compression, saturation etc all done for you - which could also be a starting point. You can't change GA tracks to audio tracks but you could create audio tracks and copy over the plugins from the GA tracks to the audio tracks, then send all the drum tracks to the drum group in the template. However, It would provide me a starting point at least regarding the settings of the compressors, eqs etc. I well understand that the processings will of course not match my live drums/actual song. Probably a very stupid question, it will indeed reveal my shallow knowledge: Would it be possible to change the Groove Agent drum tracks to audio tracks, still maintaining all plug ins/processes etc? I could then insert my live drums recorded by around 7 mics (deleting the rest of the pre-set drum channels). Many thanks for the response! The Rock template might be useful for the mixing of the live recordings of my 5 piece blues/classic rock band. But we have a specialized course for recording and mixing vocals here Cubase comes with presets already built in and some are for vocals. I am producing Indian Bollywood music so please help I want vocal mixing presets for cubase 10.5 pro.
Again, all paid versions of Cubase are catered for.Ĥ) Lastly each template comes with several tutorial videos on the best way to use the template, how to properly use the presets and the preset chains, how to install everything on Mac & PC, a guide through the demo track and how to create a template project out of the blank projects. You can install and use all of the preset & preset chains that we have developed in your own projects. There are a few things that make them different.ġ) Firstly they use only Cubase stock plugins and instruments with demo tracks made for all versions of Cubase, Elements, Artist & Pro.Ģ) They come with the stripped down blank templates with all the FX buses and major routing already setup, sidechain etc, again for each version of Cubase so you can use them for a starting point in your own projectsģ) It comes with a Preset Pack for Cubase Stock Instruments and plugins. It is therefore worthwhile to look into this topic in more detail.Our templates are so much more than just a pretty project to look at. It is also important to note where the level meters measure the signal: At the input or at the output of the channels (This can be selected). Unfortunately, however, many external plug-ins do not manage these levels - which then leads to distortions, although the level displays in Cubase do not indicate that levels are too high. set to -12 dB.įor Cubase itself this is no problem, because it calculates internally with 32Bit (64Bit).
A sign that this could be the case is when the level meter moves around 0dB, but the fader is e.g. With Gain you can always adjust the position of the level controls.Ī danger can be that the signals are internally set too "hot" - i.e. Thanks to this gain function it doesn't really matter if the level controls are set to -6dB, 0.00dB or +3dB.
Unfortunately I don't know if all this information only applies to the pro version, i.e. There you can also reverse the phase and/or activate a low-pass-high-pass filter.
Maybe you have to activate "Pre" in the "Rack" option first, so that you can see the sub-window.
Should you ever get too little gain with the level control, there is the possibility to compensate with "Gain" in the mixer window "Pre".
The actual signal levels and not the controller position are actually decisive.